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Guy de Maupassant (1850 - 1893)  

Maupassant was born in Normandy and raised, together with a younger brother, by their mother only, as she lived separated from her husband. He had a happy and free childhood, so when he went to a religious school he resented the atmosphere and the discipline. He went to Paris to study Law but had to join the army, during the years 1870-71, and witnessed the defeat of France in the war against Germany.
His mother was a close friend of Gustave Flaubert and he encouraged Maupassant to write for many years, during which he worked for different Ministries. Then Flaubert decided it was time for Maupassant to publish and introduced him to Zola and other famous writers of the time (Turgenev, De Goncourt, James). Between 1880 and 1891, 300 short-stories and 6 novels were published. The success was huge and enabled him to quit his job as a civil servant. So he went on working as a writer and as a journalist.
Despite his apparent healthy constitution, he had contracted syphilis when very young (his passion for women lasted all his life) and progressively worsened his conditions. He tried to commit suicide but did not succeed, so he was sent to an asylum where he died, crazy, shortly before his 43rd birthday.
Maupassant was a realistic writer, ha had no faith in life whatsoever and had a pesimistic and desperate vision of it. He loved the sea and the rivers and quite often water is present in his writings. He is considered the greatest French short-story writer.
His most famous works are: Tallow-Ball (1880) ; The Tellier House(1881) ; Mademoiselle Fifi (1882) ; A Woman's Life and Tales of the Goose (1883) ; Good Friend (1885) ; Mont-Oriol and The Horla (1887) ; Pierre et Jean Sur l'eau ; The Rose-Bush of Madame Husson(1888).


links:
 - Maupassant par les textes (en sept langues)

거대한 미지에 대한 공포 때문에 우리 조상들이 만들어 낸 치졸하고 정신 이상적인 종교에 의해 우리는 맹인이 되어 가고 있다
결혼은 낮에는 우울한 기분을 교환하고, 밤에는 고약한 냄새를 교환하는 것이다
결혼해서 행복한 것 보다 사랑해서 불행한 것이 낫다. 어떤 행운아들은 둘 다 성공을 이룬다
당신이 무엇을 말하고 싶건 간에, 거기엔 그 것을 표현할 수 있는 오직 하나의 명사가 있고, 그 것을 有生 시킬 수 있는 하나의 동사가 있고, 그 것을 수식할 수 있는 오직 하나의 형용사가 있을 뿐이다
삶은 정신적으로 잘 소화하는 것이 중요하다. 즉 예술가는 영감을 얻고, 젊은이들은 사랑을 열망하고, 사색하는 사람들은 눈 부신 아이디어를 얻고, 그리해서 모든 사람들이 삶의 즐거움을 얻는 것이다
아름다운 여인은 그들의 미모에 비례해 그만치 지성적인 경우는 아주 드물다
우리 생애에서 가장 큰 고통은 우리는 영원히 혼자라는 것, 그리고 모든 노력과 행동이 오직 그 외로움으로 부터 도피하려 하기 때문에, 유래하는 것이다
적법한 키스는 결코 도둑 키스만큼 해볼만한 가치가 없다